Tag: China Miéville

Notes on Walls

by China Miéville A wall is always going to be beautiful. In the future, it will be ‘impenetrable, physical, tall, powerful, beautiful’, in the words of the President, however tawdry and inadequate to its own stated purpose it actually is when built, if ever built at all.

From Choice to Polarity: Politics of, and, and in Art

by China Miéville In a rough landscape in central Africa, men are at work. They carry fire, haul industrial parts, wheeze under protective masks. They’re sweating and exhausted. When at last evening comes, they clock off and shower for a long time under cobbled-together plumbing. Then they rummage in battered wardrobes, bring out extraordinary clothes, and transform. Crocodile shoes; canary jackets; Savile Row shirts. Twirling canes, they set out through the dust to strike a pose. To perform. A strut-off in a late-night bar.

London’s Overthrow – a New Introduction

by China Miéville 2012’s essay London’s Overthrow, a diagnostic snapshot of the city between riots and Olympics, has had various incarnations – in a magazine, online, in print. And now it is available in French from Pocket, along with a new introduction for French readers. With our thanks to the publishers for their permission, here we reproduce that introduction in English. This is a peculiar political moment, feeling by abrupt turn deadened and static, increasingly apocalyptic, and unexpectedly, wrenchingly generative of Sehnsucht, all in lurching rhythmless rhythm. It’s an indication of this unpredictability that scant weeks after they were

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The Dusty Hat

FICTION by China Miéville I have to talk to you about the man we saw, the man in the dusty hat. I know you remember. Stop for a moment. I know you have a thousand questions, starting with Where have I been? What I want to start with is the man in the hat. I was late to the conference. I’d had to stay in to watch a builder squint at the cracks in my outside wall and across my kitchen ceiling, cracks that had been there for a long time, ever since I moved in, but that started

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The Limits of Utopia

by China Miéville Dystopias infect official reports. The Intergovernmental Panel on Climate Change (IPCC) demands a shift in our emissions by a third to avoid utter disaster. KPMG, in the leaden chattiness of corporate powerpoint-ese, sees the same horizon. NASA part-funds a report warning that systemic civilizational collapse ‘is difficult to avoid.’ We may quibble with the models, but not that the end of everything is right out there, for everyone to discuss.