by Nicholas Beuret and Gareth Brown. The culture of the Anthropocene crawls with narratives of survival. A quick glance at the last few years’ TV and cinema listings reveals a plethora of such things, suggesting that the public appetite is strong enough for these narratives now to be considered an aspect of mainstream popular culture where once they may have been niche. Most recently in the cinema, Interstellar has explored a number of themes common to these narratives such as scarcity, waste, and salvage. However, whilst Interstellar seeks refuge in the familiar, age-old ideas of exodus, pioneering, and the
by Daniel Hartley. The Anthropocene is a term geologists have begun using to refer to a new geological epoch, in which the action of humans has had such a dramatic effect upon the Earth’s climate, land, oceans and biosphere that humanity itself must now be considered a geological force in its own right1. Whilst there is some disagreement over when precisely the Anthropocene began, scientists generally date it to the end of the eighteenth century and the beginning of the Industrial Revolution, mainly because of the newly-invented steam engine and the enormous expansion in the use of fossil fuels.